Guide

How to pick the right prompter.

Ten things to consider, from screen size and brightness to software and the presenter.

Brightness

How many nits?

Match the monitor to where you are shooting.

WhereBrightness
IndoorsAbout 350 to 500 nits (most tablets reach this)
Outdoors, bright sun1200 to 1500 nits (the Quasar range)
Considerations

The checklist

1. Screen size

The Reading Matrix gives the maximum distance from presenter to lens. Some presenters prefer larger screens for eyesight reasons.

2. Brightness

About 350 to 500 nits indoors, 1200 to 1500 nits outdoors in bright sun.

3. Software

PC software such as WinDigi suits multi-camera and newsroom work. Tablets are cheaper and good for handheld wireless use but limited in script connections and editing.

4. Interrotron

Lets an interviewee look at the interviewer rather than the lens. Passive (reflector hood) and active (second camera feed) variants.

5. Direct read

Mounting the prompter above or below the lens suits jibs, cranes, drones and green screen work, and is largely invisible on mid or wide shots.

6. Talent monitors

Mounted beneath the main prompter to show position in a virtual studio or the programme output. Clocks can be added.

7. Lightweight hoods

Folding hoods keep weight down so large screens such as 24" or 32" don't upset camera balance or mobility.

8. Robotic PTZ cameras

Specialised mounting plates allow prompters on PTZ cameras. Dome cameras are harder to rig.

9. Control and signal

Consider hand or foot controllers or a PC mouse, plus the signal type: VGA, HDMI, SDI, composite or NDI.

10. Talent first

The operator scrolls at the presenter's pace

Practice, natural delivery and bullet points help if scripted reading isn't the presenter's strength.

The interrotron was developed in the 1980s by US film director Errol Morris.

InterrotronDirect read mounting
Interrotron and direct read. Images from portaprompt.co.uk.
Questions

Still deciding?

Tablet or PC software?

Tablets are cheaper and good for handheld wireless use, but limited in script connections and editing, and scrolling must follow the presenter rather than run at a fixed speed. PC software such as WinDigi suits multi-camera and newsroom work.

What is an interrotron?

It lets an interviewee look at the interviewer rather than the lens.

Will a large screen unbalance the camera?

Lightweight folding hoods keep weight down so 24" or 32" screens do not upset balance or mobility.

Not sure what to choose?

Describe the job to the team: +44 (0)1494 450414.